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SPEAKER: Diana Kudaibergenova
Short abstract: The understanding of regional locality and, moreover, of regional art and cultural production poses important questions, namely, What is Central Asia and Where is Central Asia? “Central Asia” is a multi-layered jigsaw that appears as a fairly simple and well-defined but in reality as very complex yet very exciting “lively space”. 

Literature Week is a part of CASI’s Workshop on Literature and History. Supported by a generous contribution from Matthew Nimetz, the aim of the workshop is to create a community of junior scholars and advanced graduate students committed to studying literature and to applying literary tools and methodologies to the study of literary art in the Central Asian past.

Within Erasmus+ partnership agreement AUCA hosted the visit of staff and faculty of Philips Marburg University, Germany on October 25 – 30 and November 15 – 22, 2017.

CASI is holding a follow-on workshop this year to the seminar it conducted in 2014 on the “Intersections of History and Literature in Central Asia.” The workshop will be held on the campus of AUCA in Bishkek from 30 November to 2 December 2017.

Literature Week is a part of CASI’s Workshop on Literature and History. Supported by a generous contribution from Matthew Nimetz, the aim of the workshop is to create a community of junior scholars and advanced graduate students committed to studying literature and to applying literary tools and methodologies to the study of literary art in the Central Asian past.

Recognizing the growing need for online research, digital citizenship, and 21st-century skill development, AUCA’s Writing and Academic Resource Center (WARC) has launched a joint initiative with AUCA Library with the help of an AMICAL grant.

On Wednesday, November 1st, the American University of Central Asia’s Writing and Academic Resource Center (WARC) celebrated its sixth year of providing tutoring services to the students of AUCA. 

 
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Abstract: This presentation explores the perception of public art in Bishkek, Kyrgyzstan through the lenses of collective memory, nationalism, and sociology. Using both Pierre Nora’s concepts of lieux de memoire (places of memory) and Lefebvre’s ideas of the subjective construction of space, I investigate pieces of public art in Bishkek as evocative of history and memory, as dynamic sites in which memory practices occur, elucidating the various relationships denizens of Bishkek have to pieces of art with varying historical symbols. 

We encourage applicants to submit a full panel proposal, as only a small number of individual papers will be selected. We will consider proposals for panels and roundtables that have a thematic focus, are of a comparative character, and involve scholars or practitioners affiliated with different institutions.

CASI RESEARCH SEMINAR
This presentation explores the perception of public art in Bishkek, Kyrgyzstan through the lenses of collective memory, nationalism, and sociology.