American University of Central Asia - AUCA - University Directory

Lauren B. McConnell, Ph.D.

Department Chair / Associate Professor

Television, Cinema and Media Arts Department

Division of Arts, Humanities and Communication

 

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Room: 415

 

Dr. Lauren McConnell is an Associate Professor in the Television, Cinema, and Media Arts department at the American University of Central Asia. She holds an Interdisciplinary Ph.D. in Theatre and Drama from Northwestern University (2004, USA), a Master of Arts in Theatre and a Master of Arts in Music from Washington State University (1986, 1985, USA), and a Bachelor of Arts in Music with a concentration in drama from the University of Washington (1981, USA). Dr. McConnell is an Associate Professor emeritus at Central Michigan University, where she taught from 2007-2016. 

Dr. McConnell joined AUCA in 2017 and teaches in the TCMA department and the non-degree General Education program. She recently taught at the American University in Bulgaria on an Open Society University Network (OSUN) Mobility Fellowship (2022). In 2019, her recreation of the children’s musical The Fireflies was produced at the Amarillo Opera, Texas. (This musical was originally produced in the Terezin Ghetto during World War II.) In the summer of 2018, Dr. McConnell served as production manager for the BBC affiliate The Corporation for Independent Media on BBC Radio Four audio plays Care Inc. and In The Shadows. Three of her plays, The Meaning of Sausage Roles, Flowers and Chocolates, and The Northern Lights, received readings at the Groundlings Theatre, Portsmouth, UK, in the spring of 2018.

Before joining AUCA, McConnell was a two-time Fulbright Lecturer at universities in Bulgaria (2010) and Slovakia (1996). In 2012, she was awarded a Fellowship in Advanced Holocaust Studies at the US Holocaust Memorial Museum, USA, and a Holocaust Research Scholarship at the Yad Vashem World Center in Israel. She was also a Boren Graduate International Fellow, which allowed her to research theatre in Prague, Czechia, in 2001-2002. She was awarded the competitive American Society for Theatre Research (ASTR) Dissertation Fellowship during graduate school.

Additional universities McConnell taught at include the University of Pittsburgh (2005), where she was a Visiting Assistant Professor, and The University of Lodz, Poland, in 2007. While in graduate school, McConnell was a CIC Travelling Scholar at the University of Chicago (USA) and served as an instructor at Northwestern University, USA. Numerous plays written by McConnell have been produced throughout the USA.

  • Mid-America Theatre Conference Young Scholar Award (2001) 
  • Finalist, Ten Minute Play Contest for The Northern Lights, Actor’s Theatre of Louisville (1999)
  • T Stephen May Scriptwriting Award for the script The Pet Blessing, Northwestern University (1998)
  • Finalist, Short Play Festival for the play Maytags, Love Creek Productions, NYC
  • Environmental Issues
  • Scriptwriting (Film and Theatre)
  • Terezín Ghetto/Holocaust Research
  • “The History of The Fireflies.” Cd brochure for “Terezín’s The Fireflies.” Adapted by Lauren B. McConnell, musical arrangements and original music by José-Luis Maúrtua, Mount Pleasant, MI: Central Michigan University, 2015. Print.   
  • “Teaching and Communicating Cross-Culturally.” Teaching Central. Mount Pleasant: Faculty Center for Innovative Teaching, Central Michigan University, March 6, 2011. Web. Mar. 25, 2011. 
  • “Understanding Paul Robeson’s Soviet Experience.” Theatre History Studies. Vol. 30, Tuscaloosa, AL: University of Alabama Press, 2010. Print. 
  • Black Snow.” Performance review. Texas Theatre Journal. Jan. 2010 issue. Print. 
  • BrundibárBravo: The Official Magazine of the Detroit Opera House. Royal Oak, Michigan: Echo Publications, Mar. 2009. Print. 
  • “Dramatyczny wybór współpracy i zaniechania przemocy: Zitra to spustime! (Od jutra zaczynamy!)” (The Dramatic Choice of Cooperation and Non-Violence: Vaclav Havel's Tomorrow We Will Start Up!), trans. Agnieszka Izdebska, Dyskursy i przestrzenie nie tolerancji (Discourses and Spaces of (In)tolerance), ed. Grzegorz Gazda, Irena Hübner, and Jarosław Płuciennik, Łódź: Łódź University Press, 2008, 265-270. Print. 
  • “Paul Robeson.” Cold War Encyclopedia, New York: Routledge, 2008. Print. 
  • “Lustration.” Cold War Encyclopedia, New York: Routledge, 2008. Print. 
  • “Humor in the Face of Inhumanity.” Program notes for Berkeley Repertory Theatre’s production of Brundibár and Comedy on the Bridge. Nov. 2005. Print.
  • “Theatrical Conservatism in Post-Communist Prague: The Case of Pavel Kohout and His Play Zeros.” Selected Papers from the 22nd SVU World Congress (2004), Palacky University, Olomouc, Czech Republic. CD. 
  • Review of Modern Czech Theatre: Reflector and Conscience of a Nation, by Jarka Burian. Theatre Survey 43 (2002): 115-118. Print. 
  • “Peter Karvas.” Censorship: A World Encyclopedia. Derek Jones, Ed. London: Fitzroy Dearborn Publishers, 2001. Print. 
  • “Daniela Fischerová's The Massage Table: Politics and Guilt in Post-Communist Czechoslovakia.” Modern Czech Studies. Brown Slavic Contributions 8. Providence: Dept. of Slavic Languages, Brown University, 2000. Print. 
  • “Postmodernist Theatre in Post-Communist Slovakia.” Tracing Literary Postmodernism. Nitra, Slovakia: University of Constantine the Philosopher, 1998. 185-194. Print. 
  • “Postmodernisticke divadlo na postkomunistickom Slovensku.” Trans. Olga Ruppeldtova, Divadlo v Medzicase. Bratislava, Slovakia: Zdruzenie divadelnikov na Slovensku, March 1997. Print. 
  • A monologue from my play The Northern Lights. Best Women's Stage Monologues 1997. New Jersey: Smith & Kraus, 1998. Print. 
  • Cinema and the Holocaust
  • First Year Seminar

American University of Central Asia
7/6 Aaly Tokombaev Street
Bishkek, Kyrgyz Republic 720060

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